In this conference we focus on the various ways new media (digital media especially) provide spaces for preserving, creating, playing, sharing, teaching, or discussing music, and the ways these spaces are impacting what musicians, culture bearers, and others do in the musical part of their lives. Participants will share their research that resonate with this theme. Also, presentations of other new research in the broad area of Chinese music studies are included.
New digital media provide for “repackaging” of traditions, access to distant events, gestures of sharing and commemoration, and spaces (and toolkits) for new creation, online learning, critical commentary, or playful remixing. We might study these situations in several ways:
• as platforms and tools for new kinds of musical creation, curation, and participation
• as spaces for new formats of presentation, repatriation, and commemoration
• as settings where performance facets like musical expression, liveness, or authenticity are open to striking reformulations
• as a source of musical materials, influences, threats, or inspirations
• as contexts that raise expanded economic and reputational possibilities as well as ethical or legal concerns
Keynote speech: State, Sound, and the Algorithm: Shaping Chinese Identity and Nationalism Through Digital Musicking in the AI Era / Yu Hui (funded by ERC-ECura project)
Conference Organisers
Dr. Lijuan Qian
Dr. Alexander Khalil
Dr. Keyi Liu
Prof. Jonathan Stock
Preliminary Programme is available here.
For further information please contact Dr. Lijuan Qian, lijuan.qian@ucc.ie or visit UCC Department of Music Website here.
Registration rate policy:
The CHIME membership policy which impacts the registration rate will be released on the CHIME Music website here.